TRINPSITE PAGEVIEWS
From Finger File to Iframe Hierarchy
screenshot of a TRINPsite pageview
with six iframe levels,
starting from the
Sound
Files document
in full view this is a quarter of the original image
of 4112 by 5465 pixels
The hierarchy of iframes
What is shown in a
TRINPsite pageview on the internet
nowadays depends in general terms on: 1, the width, height and
resolution of the device (desktop computer, laptop, mobile phone and so
on); 2, the width and height of the window or 'viewport' activated;
and 3, the user's wish to see the whole page or only the main part,
the 'heart', of it.
For the full version a width of at least 600 pixels is required, for the
heart version something like 320 pixels may suffice.
However, once a window reaches a width of, say, 1024 pixels, it becomes
possible to show two TRINPsite pages side by side, the one displaying
everything the page code allows for, the other simply displaying what is
unique for the page loaded and hardly more than that.
They can even be arranged in two columns: the full page on the left which
does not need any horizontal scrolling and one or more pages on the right,
which may need horizontal scrolling in the full version, but no such
scrolling in the heart version.
At TRINPsite these pages are ordered in a hierarchy of iframes (internal
frames) in such a way that the page of which the URL is that of the
total pageview is put on the left, in the first column on the 0 level of
the hierarchy, simply because it is the first page and not in any iframe
itself.
It is in the second column where the main page generates one or more
pages on the first level of iframes.
Yet, this is only the beginning of a theoretically never-ending process,
so long as there is still space (and time, of course).
For each page in an iframe in the second column will in turn generate
one or more pages (sometimes none) in iframes in the third column; each
one in the third column one or more (sometimes none) in the fourth; and
so on.
In the above image you see a screenshot of the result of this process
after going from iframe level 0 with no iframe to iframe level 5,
altogether six levels in the hierarchy of iframes.
A special pageview
demands creative input
TRINPsite does not automatically offer you pageviews like the display
above: what it offers you is the opportunity for creating such a
pageview quite easily.
However, should you, too, start from the
Sound Files document, you may
not get to see any iframe with another page in it; you may not even get
to see the whole Sound Files page.
If your (mobile) device is too narrow, you will, by default, merely be
presented with the heart version of the document, and this reduced
version will never create an iframe.
Therefore, first of all, you need a width which is large enough to
accommodate a whole page, and then a width which is large enough to
accommodate that first whole page with one or more iframes below one
another on the right of it.
Strictly speaking, it is not that you need the physical width, because
in principle you can choose 'any' virtual width you like, but if your
virtual width exceeds your physical one you may have to do a lot of
horizontal scrolling.
(Under DISPLAY OPTIONS, or DO, every standard
page lets you change the 'surfing width' to a value between 600 and
9,999 pixels.)
Even if your window is wide enough for two columns, you may see four
iframes with four other TRINPsite documents (with or without vertical
scrolling), but not the four which are shown in the display
above.
Because what you are being shown normally are standard single pages or
pages randomly selected from particular sets.
Nonetheless, from these pages you can surf to any other TRINPsite page,
if only by clicking on the index page links.
Hence, it is up to you which page you choose and leave in each iframe.
If space allows, the particular page you select for a particular iframe
will, as a rule, come with its own new iframes on the right.
And if a page in such a new iframe is not to your liking, you can,
again, surf away from it.
In theory, this can be repeated ad infinitum; in practice, the total
number of HTML pages available (634 at this moment) is the limit,
unless you allow them to be shown more than once.
Some more points,
historical and practical
The present site is not a new website wholly designed with today's
features, fashions and photos in mind.
Most people intent on developing such a website are likely to opt for (or
resort to) a safe ready-made design package with cut-and-dried up-to-date
coding solutions.
As a matter of fact, TRINPsite is an about thirty-three-year-old internet
site which started off with simple nongraphic text files, and gradually
developed further without the straitjacket of an unfounded or skewedly
founded conventionality.
You can follow all its developments between the years 50 and 71 aSWW
by going to the special
Additions and Revisions document, which
provides access to these 22 years.
(There is no such documentation for the even earlier years 48 and 49 aSWW.)
These 'historical' year files do not only list all the new text documents
and audio files which were introduced in the course of time; they also
describe what new formats were used for the standard textual pages.
From the year 66 this format has been the so-called 'F8 format'.
However, in the year 80 aSWW, the latest format 'F9' was introduced, and
it is pages with this coding format, among which the (old) Sound
Files document, which are most suitable for making a display of a
multi-level iframe hierarchy.
New pages will now normally be coded in the F9 format, but altogether
there are no fewer than 501 basic *.HTM and 126 nodal *.htm different
or 'unique' pages.
(See the
Lists of Files.)
In practice it is impossible to update all these files at once; it
may not even be possible in one person's lifetime, that is, without
interfering too much with the priority which should be given to more
substantial or creative tasks.
Therefore, it is of paramount importance that the visitor or user of
TRINPsite be interested in its
denominational,
philosophical and literary content first of all.
The beauty and creativity in its form may then come as a pleasant
surprise.
How
a finger file foretold it all
This is what a page looked like in the forty-eighth year after the end
of the Second World War (33 years ago), in the early days of TRINPsite,
then called "InSite", when the only means of public communication on
the internet was still a finger file, a text file in monospace letters:
Login: mvvm Name: InSite
Directory: /home/mvvm Shell: /usr/local/bin/tcsh
Office: **** issue, 48.09.10 ****
On since Mon Sep 13 04:03 (MET DST) on tty04
Project:
TRUTH, RELEVANCE OR INCLUSIVENESS, NEUTRALITY AND PERSONHOOD IN
SCIENCE, PHILOSOPHY, LITERATURE AND DENOMINATIONALISM
Plan:
to contribute to the implementation of this project
by providing the global community with electronic access to
the relevant philosophical, literary and other writings
Samples:
1) <Numerically Superior>, from <Six Warlocks My Age>, 42K
2) The Three Wheel Poems, 9K
3) Vocabulary of Alliteration, |V| to |Z|, 13K
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ASWW 48y, 9m, 10d in480910.fin[ger], 8sp+64chrs/l
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|>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>><<<<<<<<<<<<<<<<<<<<<<<<<<<<<<<|
| |
| I N S I T E |
| |
| an Internet Site with Neutral-Inclusive Information |
| |
| |
| |
| D e a r r e a d e r : |
| |
| |
| The following works (books, papers, poems, etc.) are or |
| should become freely and publicly available in standard |
| electronic form to those interested in |
| a) systematic philosophy, |
| b) politics/ideology (personal and property rights), |
| c) norms-and-values-centered denominationalism, |
| d) literature/lyrics (poetry and short stories), |
| e) linguistics/the English language: |
| |
| A) MODEL -- Model of Neutral-Inclusivity |
| by Vinsent Nandi, 41 years aSWW |
| ISBN 90-9001353-9, 2734 K (936 p) |
| At the moment this major philosophical-denominational |
| work, consisting of the Book of Instruments, the Book of |
| Fundamentals, and the Book of Symbols, is available only in |
| print (for 50 Dutch guilders, including VAT and postage). |
| Passages, poems and chapters or sections from the Model will |
| be (re)published here as special e[lectronic]-texts. |
| |
| B) THE <TRUTH> AND <RELEVANCY> OF A DISTINCT DIRECTION IN |
| PHILOSOPHY |
| by M. Vincent van Mechelen, 1987-1988/aSWW 42-43 |
| Unpublished, 50 K (24 p) |
| This philosophical paper can be made available in |
| electronic form (within one or a few weeks), when a copy of |
| it is requested |
| |
| C) TOWARDS AN ETHICAL THEORY OF RELEVANCY |
| by M. Vincent van Mechelen, 1987-1988/aSWW 42-43 |
| Unpublished, 41 K (15 p) |
| This philosophical paper can be made available in |
| electronic form (within one or a few weeks), when a copy of |
| it is requested |
| |
| D) THE MORAL AND IMMORAL APPEAL TO RIGHTS IN QUESTIONS OF |
| DISCRIMINATION |
| by M. Vincent van Mechelen, February 1988/aSWW 43.02 |
| Unpublished, 49 K (24 p) |
| This philosophical paper can be made available in |
| electronic form (within one or a few weeks), when a copy of |
| it is requested |
| |
| E) SIX WARLOCKS MY AGE |
| -- Tales of Contemporary Supernaturalism |
| by Vinsent Nandi, 45 years aSWW |
| ISBN 90-9003699-7, 205 K (89 p) |
| Like the Model this little book, containing six short |
| stories, is available only in print (for 19 Dutch guilders, |
| including VAT and postage). And like the Model parts of it |
| will appear as special e-texts below. |
| |
| F) COMPUTER POETRY |
| by M. Vincent van Mechelen, April 1992/aSWW 47.05 |
| Unpublished, 66 K (32 p) |
| A paper on a subject from the field where literature, |
| linguistics and computer science overlap. It can be made |
| available in electronic form (within one or a few weeks), |
| when a copy of it is requested |
| |
| G) <SAXIFRAX> -- A Poem on Leaves Unfolded |
| by Vinsent Nandi, 47-48 years aSWW |
| Not (yet) published in print, 38 K |
| The file <<Saxifrax>> contains the non-computer- |
| generated poem <Saxifrax> and an aural and semantic analysis |
| of it. It can be made available in electronic form (within |
| one or a few weeks), when a copy of it is requested. |
| The poem will also be inserted here as special e-text. |
| |
| H) ALMOST UBIQUITOUS YET BARELY PRESENT |
| -- Religion in Twentieth-Century Anglo-Irish Prose |
| by M. Vincent van Mechelen, January 1993/aSWW 48.01 |
| Unpublished, 33 K (13 p) |
| This literary paper can be made available in electronic |
| form (within one or a few weeks), when a copy of it is |
| requested |
| |
| I) THE VALUES OF WRITING |
| by M. Vincent van Mechelen, January 1993/aSWW 48.01 |
| Unpublished, 24 K (9 p) |
| This academic paper on what makes good literary or non- |
| literary writing can be made available in electronic form |
| (within one or a few weeks), when a copy of it is requested |
| |
| J) VOCABULARY OF ALLITERATION (preliminary version) |
| by M. Vincent van Mechelen, aSWW 48.09 |
| Not (yet) published in print, 47 K |
| A new aid in writing poems and songs (and in the study |
| of phonetic/phonemic syllable divisions in English). This |
| dictionary is being prepared, and will be shown, in the form |
| of an e-text file, that is, a file without word-processor- |
| or printer-specific codes. Its current, preliminary version |
| is available for private, noncommercial use |
| |
| K) A HAND WITH MYRIAD DIGITS -- Computer Poetry |
| by Vinsent Nandi |
| In process |
| Originally written in (GW-)BASIC, this interactive |
| program for generating computer poems will be rewritten in |
| TURBO PASCAL and further improved before being made |
| available. Examples of computer-generated poems will appear |
| as special e-texts. For more information on this subject see |
| <Computer Poetry> |
| |
| L) A HAND WITH MYRIAD DIGITS -- Motion Text |
| by Vinsent Nandi |
| In process |
| This is a program which displays not only computer poems |
| but also non-computer-generated poems and other writings in |
| an automatic vertical movement across the screen, both in |
| text and in graphic mode. Written in (GW-)BASIC and |
| TURBO PASCAL it will be further improved before being made |
| available. Examples of (parts of) Motion Text files will |
| appear as special e-texts |
| |
| M) Towards an INTERNATIONAL DOSSIER ON STATE RELIGIONISM |
| by M. Vincent van Mechelen |
| In process |
| So far this manuscript on the relationship between state |
| and denominational ideology covers, among others, the |
| following countries (with number of pages): Albania (2), |
| Algeria (2), Bangladesh (2), Canada (18), (former) |
| Czechoslovakia (2), Egypt (4), France (2), Germany (5), |
| Great Britain (17), Greece (2), India (3), Indonesia (3), |
| Iran (3), Ireland and Northern Ireland (10), Israel (4), |
| Italy and Vatican City (4), Japan (2), Malaysia (2), Mexico |
| (5), Morocco (3), Netherlands (7), Norway (5), Pakistan (2), |
| Poland (4), Saudi Arabia (4), (former) Soviet Union (8), |
| Sweden (3), Turkey (3), United States (22) and Zambia (2). |
| Information on these countries can be made available in |
| electronic form if it does not exceed a total of, say, five |
| (5) pages. Should you be interested in a larger part of this |
| dossier, you will have to content yourself with paper copies |
| or, for the time being, with what is/will be/has been |
| published as special e-text. |
| |
| |
| In one way or another, directly or indirectly, all these |
| writings deal with or serve the following fundamental |
| values: |
| 1) ( the right to ) p e r s o n h o o d , |
| as opposed to murder, torture, oppression, and |
| religious or other forms of totalitarianism |
| 2) ( veridical ) t r u t h , |
| as opposed to falsehood, lying, promise-breaking |
| and (institutionalized) supernaturalism |
| 3) r e l e v a n c e or i n c l u s i v e n e s s , |
| as distinct from irrelevance, discrimination (on |
| the basis of whatever factor) and exclusivism |
| 4) ( catenical ) n e u t r a l i t y , |
| as distinct from extremism and as present in |
| values such as equality, harmony and moderation. |
| |
| It is argued in the Model of Neutral-Inclusivity why |
| personhood, truth, relevance (or inclusiveness) and |
| neutrality should not only be treated and respected as |
| values but as_fundamental_values. To a greater or lesser |
| degree all the works listed above are part of one project |
| to broaden and deepen the neutral-inclusive denominational |
| doctrine or 'paradigm' as presented in the Model and as |
| resting on these four pillars. |
| |
| In order to give you the opportunity to have a closer look |
| at one of the smaller works (such as an article of a few |
| lines or a song) or at a part of one of the larger works |
| (such as a chapter or section from <Six Warlocks> or the |
| Model) this finger file contains two or more special e-texts |
| of a limited length. E-texts are electronic texts saved in |
| ASCII files without machine-, word-processor- or printer- |
| specific codes. Whereas the main body of this file is not |
| meant to be changed (too) much, the e-text samples will be |
| replaced or added to at (more or less) regular intervals. At |
| least (once a month?) one of these special texts should be |
| new and never have been shown in this file before. This |
| procedure enables you to read (and save!) a considerable |
| number of passages and, perhaps, chapters without having to |
| contact anyone personally. |
| |
| To make it easier for you to keep track of the special e- |
| texts published as part of the <finger> files, the date |
| of the latest issue appears both after the <Office:> colon |
| at the top of each file and in the <Office>/<Office Phone> |
| columns which are printed when typing the command <finger |
| @hacktick.nl>. To find out what the latest issue is, and |
| whether a new e-text has been inserted, you need therefore |
| not access the whole file. Just type |
| finger -ms mvvm@hacktic.nl |
| |
| Of course, if you want to receive a work which is already |
| available in electronic form, it may be faster and more |
| convenient to write to the address below, and you are |
| invited to do so. Such a work will be FTP-ed or e-mailed to |
| you free of charge. Unfortunately, to obtain one of the |
| other writings you will still have to wait, or pay for the |
| postage and, if applicable, the printed work itself. |
| |
| |
| * * * * * * * * * * * * * * ** * * * * * * * * * * * * * * * |
| * * |
| * C U R R E N T E - T E X T S A M P L E S * |
| * ------------- ----------- ------------- * |
| * * |
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